Outline
RegulationsOrganizer and supportersOur IdealsScreening perspectivesProject Policies for 2023Types of AwardsMessages
Regulations
"Principal Implementation Regulations for the GOOD DESIGN AWARD 2024" stipulate the outline of the GOOD DESIGN AWARD 2024 project. In accordance with the principal implementation regulations, various relevant regulations are prescribed.
Organizer and supporters
Japan Institute of Design Promotion (JDP)
Ministry of Economy, Trade and Industry / The Small and Medium Enterprise Agency / Tokyo Metropolitan Government / The Japan Chamber of Commerce and Industry / Japan External Trade Organization (JETRO) / ASEAN Promotion Centre on Trade, Investment and Tourism / Nihon Keizai Shimbun / NHK / World Design Organization
Our Ideals
Screening perspectives
Whether tangible or intangible, GOOD DESIGN AWARD evaluates the quality of things that people create to achieve certain ideals and purposes as design. The jury members will consider the following "screening perspectives" to determine whether or not the entries are good designs based on a composite of various views of design context, purpose, process, and outcome.
Whether due considerations, including usability, understandability, friendliness, etc., are given to users
Whether various considerations, including safety, security, environment, physically weak persons, etc., are given to maintain the credibility
Whether the design gains the sympathy of users
Whether the design has attractiveness and induces users’ creativity
Whether issues are skillfully solved by using new technology and materials or through creativity
Whether the entry is reasonably designed or planned with appropriate technology, method, and quality
Whether the entry contributes to the creation of a new industry or business
Whether the entry contributes to the creation of new cultures, such as a new method, lifestyle, communication, etc.
Whether the entry contributes to the realization of the sustainable society
Whether the entry suggests new value, such as a new method, concept, style, etc. to society
Whether the entry puts past contexts and accumulated achievements to propose new value.
Whether the entry proposes a highly sustainable solution from medium- and long-term perspectives.
Whether the entry represents continual improvements in accordance with the times.
Project Policies for 2024
For the GOOD DESIGN AWARD 2024, we have once again appointed Mr. Seiichi Saito as the Chairperson of the Judging Committee, with Mr. Jin Kuramoto and Ms. Yuko Nagayama as Vice-Chairpersons. This year’s theme, “Brave Attitude, Organic Design,” derived from last year’s Focused Issues, complements the usual evaluation perspectives of the GOOD DESIGN AWARD (human, industry, society, and time). In addition to these criteria, we evaluated whether each design was created with a willingness to break free from conventional practices and preconceived notions, as well as the flexibility to adapt to various people, places, and situations involved.
The main points are as follows:
Discovery of Outstanding Designs and Promotion of Applications Domestically and Internationally
During the application period, we organized numerous briefing sessions and consultations both domestically and internationally to motivate potential applicants. In mainland China, we continued collaborating with local media and used multiple channels, including social media and online ads, to promote the award. In Taiwan, we leveraged a well-established podcast channel that has been active since 2022 to share information and discussions on exemplary Japanese designs, thereby enhancing the understanding of GOOD DESIGN AWARD.
Strengthening Information Dissemination Through Owned Media
Launched last year, the “.g Good Design Journal,” an information dissemination section of the official GOOD DESIGN AWARD website, has established itself as a design media outlet by regularly publishing updates on the screening process, and showcasing winners and awarded designs. Official social media accounts on platforms like Facebook and Instagram have also continued to grow in follower count each year. By updating content in a timely and relevant manner, these accounts have enhanced their role as accessible media that bring the GOOD DESIGN AWARD and its recipients closer to general audiences.
Modification of the “GOOD DESIGN GRAND AWARD” Election Method and the Launch of the “Our Favorite G Mark” Event
This year, all of the GOOD DESIGN GOLD AWARDs, which are selected by the Judging Committee, will be considered finalists for the GOOD DESIGN GRAND AWARD, and it will be decided by a vote of the jury members and the winners only as the design professionals, to elect the one design that is recognized as the most outstanding of the year's awarded works. In parallel with the Grand Award, we also held a voting event called “Our Favorite G Mark” in which anyone who visited the exhibition could vote, creating an opportunity to raise awareness of outstanding designs.
Types of Awards
GOOD DESIGN AWARD is presented to entries recognized as excellent designs from among all entries, and then 100 winners with superior designs are chosen as GOOD DESIGN BEST100.
Next, the Judging Committee chooses winners of the GOOD DESIGN GOLD AWARD and GOOD FOCUS AWARD as well as finalists for the GOOD DESIGN GRAND AWARD from the GOOD DESIGN BEST100.
The winner of the GOOD DESIGN GRAND AWARD is chosen from the finalists for that award voting by the jury members, winners, and others.
2024/10/16
抱持勇氣和有機性的設計
現在,利用設計「將各種事、物變得更好」的能力越發在各處獲得認可。
過去,人們曾認為設計僅對物理性存在物發揮作用。但當今的設計也被要求在產生物品的過程和思維本體中發揮作用。作為獨具特色的世界設計獎項,GOOD DESIGN AWARD多角度地分析一個創作物,並由來自各領域的評審委員秉持共通的OUTCOME反覆討論,進而展開評審。
當下GOOD DESIGN AWARD探求的設計是能賦予人們改善各自面臨的不同問題和課題的力量,是能讓人們的生活變得更加美好的活動。這並非簡單地將社會視為一個單一集團,而是通過實際參與創作的人進行高度的分析和分解才能發現。
2024年度的主題「抱持勇氣和有機性的設計」,是我們在去年編輯FOCUSED ISSUES的過程中誕生。從事設計的人勇敢地邁出第一步,通過靈活、優美、在情況和場所相對應的有機性思考和體制,將創意落實到社會中去。希望進一步探索這種趨勢,並發現各領域行業中湧現出時而大膽、時而謙遜的事和物的強大設計。
今年也期待遇到「抱持勇氣和有機性的設計」來努力創造更美好社會。
2024/10/16
開拓局勢的力量
今年的GOOD DESIGN AWARD已開始。
去年評審會中看到的潮流,讓我們發掘出「抱持勇氣和有機性的設計」這一主題。
隨時警惕氣候變動、大規模災害威脅的每一天;被停滯感籠罩,緩慢但確實正在被削弱的經濟和社會;世界人民所共通的良知因戰爭和衝突而發生改變。在難以對未來報以樂觀態度的情況下,通過「造物」的過程,我們還是能強烈地感受到人們渴望變得更好的力量。
現在,設計需要的是一種「開拓局勢的力量」。
對於這種停滯不前的狀況,需要有人大聲直言,以勇氣和堅強的意志提出創意,贊同的企業和組織有機地攜手共同採取行動,在社會中具體實施並使其發展成一股巨大的浪潮。被我們稱為「設計」的活動正具有這樣的力量。
我們期待創作者們所描繪的事物能夠深入人們的生活,並帶來良好的改變,同時也希望它們能為自然環境及眾多動植物帶來安定、平衡的狀態。對社會廣闊的願景自不必說,對執著細節的造物也同樣令人期待。
期待著今年再次通過GOOD DESIGN AWARD接觸到更多堅定的意志和多樣的建議。
2024/10/16
設計之力的方向
去年,我圍繞著「相信設計的力量嗎?」寫下寄語。今年,我想進一步探討「設計之力的方向」。
2023年度的主題是「具有OUTCOME的設計」。我們從獲獎作品的整體趨勢和潮流中得出今年的主題「抱持勇氣和有機性的設計」。這在我腦海中形成有機地跨越領域限制,靈活合作,勇敢邁出一步的形象。邁出的這一步的方向是非常重要的。
邁出的第一步是朝著更好的未來嗎?如果方向錯了,那麼努力就有可能白白浪費。我們總是提出許多創意後決定設計。因此,與資源浪費一樣,我們也應該重新審視創意的浪費。一個人能夠思考的能量在時間和質量上都是有限的,為了最大限度發揮設計的力量並邁出一大步,需要正確地定位方向。然而,正確的方向在哪裡?這又是一件難以回答的問題,只能在不斷的試錯中探索。
無論如何,要找到正確的道路,必須付出巨大的努力,然後再花費大量的精力去設計,從而朝著目標前進。個人的力量是有限的,如果大家能夠共享試錯的經驗,就能更快地設定長遠的目標。而這就是GOOD DESIGN AWARD的意義所在。
希望大家能夠共享創意及其過程,為他人帶來啟發,期待今年的GOOD DESIGN AWARD也能成為這樣的場所。在設計的過程中,您是如何面對困難?如何有機且勇敢地克服困難的?請務必和我們分享您的抱持勇氣和有機性的設計。